My Editorial Kit

I'm frequently asked what lenses I use for headshots, or fashion work.  This week is the perfect chance to share because I'm putting a small kit together for my trip to Chicago.  It is a bridal shoot, but I love to treat bridals as "fashion" because really- that's what it is.  Beautiful Bride's showing off their dresses- yeah. It's fashion.  

First off, my trusty Mark II is my main body.  I will be using my Fuji more (I talk more about that here!)  My Canon has been with me for 3 years, and I love it.  I send it in once a year for a checkup, it and just keeps shooting.  While there are a few things I would change about it, it continues to be a trusty way to get my shots.  A few close friends jokingly ask when I'm going to upgrade, or get out of Canon completely and embrace that cool new Sony A7- I do plan on upgrading to the Mark III here very soon, but as far as leaving Canon completely- I honestly don't see that happening anytime soon, if ever.  I'm actually wondering when they'll stop fooling around and just come out with a mirrorless already.

As far as lenses, I love using my 50 1.2 for pretty much everything. It's my favorite focal length for weddings, engagements, small groups, fashion- almost anything I can think of, I always use my 50 as a starting point, and change focal lengths from there.  My 100 2.8 is a great lens for portraits and details.  It is completely versatile.  I don't have to worry about camera to subject distance, because it will focus either way.  I can shoot from a distance, get some great compression, OR shoot a little closer to the subject, crop in-camera and get a great tight headshot.  For engagement sessions, I love getting ring shots- the beautiful bride-to-be looking up at her fiancé smiling, her hand showing off that gorgeous ring.... as with any prime, all I have to do is move my feet.  For real versatility I love what my 24-70 does for me.  If I'm in a tight spot, and I know there will be some issues with space, or if I know we'll be outside and my clients will want wide as well as tighter shots, I trust that the 24-70 can handle it.  This was the first piece of L glass I bought, and while it's not 'version 2' it is still a really wonderful sharp piece of glass.  I love prime glass though; I love using my feet to move in and out of a space.  Zooms are great, but primes are greater.  Give me a 50 and an 85- and I'll be shooting all day.  I only use zooms out of convenience.    

I don't upgrade at the drop of a hat either.  I know there are several lenses that have had the second version come out- but my lenses work great for what I am capturing.  They are all very sharp, and they just work.  I'm sure someday if I try the 24-70 II, I'll think myself a fool for not upgrading sooner.  I'm not always on the lookout for the next lens, the next body.  If something works, I stick with it.  

I have my trusty 580EXII, (we have 2 of them), and love them.  We use them off camera, on camera, with a diffuser, without, they've survived falls, drops, mine even came crashing down onto our tile floor from 8 feet up.  I sent it in to CPS and they repaired it- but it came back good as new, and is still firing.  I don't see the need to go to the newer flash- yes I know the 600's do more- but these work just as well for what we use them for.  

This is my Speedbox 65 that I've had for over a year.  I take this thing with me on every single shoot-weddings included!  It is the most perfect speedlite diffuser that I have found.  It collapses perfectly, opens at the drop of a hat, and again- it just works.  I only have one, but would like to get the Speedbox 70 this year sometime.  I love the perfectly diffused light that comes out of this when we are outdoors.  The subjects face is perfectly lit, all shadows disappear, it's as if magic took place... seriously.  For weddings, it works great for the cake cutting, and formals.  

I'm going to have to take it apart completely for my trip- but I'm excited for the shots I'll be getting.  All photographers have certain kits for certain things.  There is no right or wrong here, you use the best tools for the job.  I mentioned my 85 1.2 earlier, that is a great lens- no complaints- but I love it most for studio work.  It is a nice heavy lens- tack sharp but love it most in a controlled setting.  

Let me know if you'd like to see blogs on anything else.

See you on the next shoot!

~Leia

Leia Smethurst

Leia Smethurst Photography, PO Box 18694 , Oklahoma City, OK 73154, United States