Fuji X-T1 28 days later

Back in early January I wrote about my Fuji's.  Now that some time has passed and I've crossed over into "Fujiland" throwing all inhibitions to the wind- I've got to say- this system is really amazing.  As I have mentioned many times over the years- I follow Zach regularly- and one thing in his last blog really stuck out.  He mentioned how he had shot a print catalog for a clothing company and 90% of it was shot with the 56mm and the X-T1.  That got my attention.  I mean- yes, you can take a photo with any camera and have it printed- but knowing that he had used this on a bigger job, and knowing what the ultimate goal of those photos really was- it was really intriguing that he chose that system.

While I have played and played and played- I had never taken any Fuji out on an 'official' shoot. There is always that stigma.  If I show up with this camera, the client I'm working with isn't going to take me seriously.  If I show up with this, their confidence is going to disappear.  If I show up with this... (and on and on).  Two weeks ago, I took the X-T1 (and my Canon just in case) on an engagement shoot.  Not only did the clients NOT care what camera I was using, but I never pulled my Canon out once.  I switched from the 35mm to the 56- and it was fantastic.  Changing the aperture and seeing how it will affect the image in real time through the EVF is simply amazing.  I can't do this in-studio however- because it won't account for the fact that you are using OCF.

Getting home and pulling the RAW images up in Lightroom, the sharpness, skin tones, and image quality was stunning; zooming in to the images in PS at 200% and the images are finally start to pixelate... the quality is astounding.  The RAW files are roughly 33 mb/each- there is plenty of file to work with.  Another interesting thing to be noted, is that it appears to shoot so much sharper than the Canon.  It focuses dead on everytime, unless I accidentally hit the button.  With my Canon, it's not exactly sharp everytime.  Some images are soft- even after I have carefully focused on the subject- that is something that has always bothered me.  The Fuji has really surprised me.

The following Tuesday, I had a 70's editorial shoot here in the studio.  Not only did it work flawlessly with my triggers and lights, but I was able to make some adjustments to the screen in order to have the best studio experience.  Again- the images came out amazing, and I love having a half-second preview (in the eye piece) of the image I just took.  This saves times, and lets me make any camera adjustments quickly- without having to pull the camera away from my face to 'chimp.'  As usual, using a combination of the 56mm and the 35mm.  I'm learning these are my two favorite lenses.  

This morning- guess what?  Another engagement session downtown and I didn't even think twice when it came time to decide what body to take.  I now have a dedicated camera bag with all my Fuji gear.  I grabbed that- and headed out without a care in the world.  I did add a grip this week to my kit, and it has made a big difference.  It's easier to handle (no pun intended).

I know I was the one with the hangup.  The clients know I'm going to take care of them.  They know they are going to get some amazing keepsakes.  I think the last thing they are worried about is what tool I'm using for the job.  On a shoot, the subject is nervous about how they are going to look- I am nervous about what camera I'm using.  In the end- it works out everytime.  

Happy Shooting!

~Leia

Leia Smethurst

Leia Smethurst Photography, PO Box 18694 , Oklahoma City, OK 73154, United States